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'From
Here to Eternity II'
2 channel video installation with stereo sound.
Computer animation, 16min DVD loop. Edition 10 + 3AP,
2002-4.
2
video screen/projectors and frame-accurate synch equipment.
Installation dimensions approx. 6 x 10 x 4 m
Installation
at 'Negative + Negative', 2004, Earl Lu Gallery, La Salle Sia College
of Art, Singapore. Curated by Gridthiya Gaweewong.
 
Animation
detail of rock transformation.
'From
Here to Eternity II'
Physical
Description:
A
rock or asteroid slowly rotates in space accompanied by a growling
sound track. The rock turns slowly enough so as to be able to study
its detailed textures and see the object in full three dimension.
After a while the sound track increases in pitch and the rock goes
through a series of material states before exploding; first becoming
semi transparent, then cloudy/ice-like and finally molten. As it
explodes on one screen it reconfigures on the second screen as if
through an act of teleportation. The explosion and reforming occur
very quickly.
When
the installation is well installed, and with proper synching equipment,
the illusion of teleportation is convincing. At the point where
teleportation is experienced many questions come to the fore as
the mind both inhabits that fantasy at the same time as breaking
down the illusory tricks employed.
There
is a play with expectation as the viewer watches and waits for another
moment of teleportation. As the rock continues to teleport from
screen to screen it chanes shapes and skin, as if corrupted mid
teleport. The animation cycles through 8 rock types in total, enough
to create uncertainty in the memory of the spectator.
The
work is a balance of formal repetition and illusory representation.
The rocks must be portrayed- and believed as if having 'matter',
a weight and substance that can later be dissolved. The conceptual
game relates to a two dimensional representation of a three dimensional
object being subjected to the application of a fantasy of real-world
physics. Through the slow pace and highly visual experience, a poetic
sense of immersion and gravity loss is achieved.
Requirements:
The
installation consists of two synched projections with stereo sound.
The viewer would tend to stand centrally so as to watch both screens
at once.
The projections are large enough to fully occupy the viewer's field
of vision.
The relationship between the spacing of screens and their size is
critical.
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1.
Left screen: rock 1 rotates
Right screen: a cluster of coloured stars eminate from center
Sound: slow space growl
(left channel), twinkle sound (right channel)
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2.
Left screen: rock 1 rotates and becomes transparent
Right screen: stars float from center
Sound: slow space growl heightens in pitch
(left channel), twinkle sound (right channel) |
 
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3.
Left screen: rock 1 rotates, and cycles through cold and hot states
Right screen: stars float towards screen edges
Sound: high pitch hum
(left channel), twinkle sound (right channel)
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4.
Left screen: rock 1 explodes
Right screen: stars dissapear
Sound: teleport explosion sound
(left channel) |

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5.
Left screen:small coloured stars left in the place of the teleported
rock
Right screen: rock 2 teleports in
Sound: twinkle
sound (right channel), teleport implosion
sound (right channel)
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6.
Left
screen: a cluster of coloured stars eminate from center
Right screen: rock 2 rotates
Sound: twinkle sound (left channel), slow space growl (right channel)
.......................and so on... |
Conversations:
Immersion; slippage between real and imagined space.
Formal repetition. Similarity and difference.
The mesmeric gaze, waiting and the viewer.
Memory.
Altered states and disembodiment.
Narrative and the use of a system of familiar symbols.
The digital Avatar and its skin.
The 'Digital ReadyMade' (the 3D object in ready-made kit form from on-line
communities)
Watch
an extract of the animation here
Below:
details of each rock and its transformation.
   
Rock 1
   
Rock 2
   
Rock 3
   
Rock 4
   
Rock 5
   
Rock 6
   
Rock 7
   
Rock 8
Exhibition
History for 'From Here to Eternity II' :
2004
Video et Animations, M-Project, Paris. Solo show.
2004
'Negative Plus Negative', Earl Lu Gallery, Lasalle, Singapore.
Curated by Jeab Gridthiya.
2003
Sharjah international Biennial 6, Sharjah Art Museum
and Expo Centre, United Arab Emirates.
2002
Craft, Cell Project Space, London. Curated by
Richard Priestly.
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